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There are more examples of this than one could possibly count in history, art, poetry, music, and literature. Granted, this was often because a woman desired the financial security of an established husband, and in turn, men desired a youthful, fertile bride who could bear and rear his children.

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Conor Oberst is 36 now, and the former wunderkind singer-songwriter once celebrated for the precocity of his work as Bright Eyes has been making records for so long he's easily taken for granted.But this true solo project - recorded in 48 hours with only the backing of his own acoustic guitar, piano, and harmonica, after he moved from New York back home to Omaha, Neb. It benefits both from dark-night-of-the-soul musings that come with a brush with mortality (he canceled tour dates last year after a cyst was discovered on his brain) and the bitterness that beckons with youth slipping away. "Gun in my mouth, trying to sleep." Oberst has said he penned "You All Loved Him Once" about the burdens placed on pop-star oracles such as John Lennon, but he could have written it about his own once-worshipful audience.23 by Rough Trade/Sanctuary, and credited to Hope Sandoval and the Warm Inventions -- she seems eager to do just about anything else: stare out the window, twist her hair, straighten her shirt.She's met questions about herself, her songwriting, and even "Bavarian Fruit Bread" with blank stares and awkward silences.It's cool and cavelike inside the windowless conference room at American Recordings' Burbank offices.

Until the Hunter(Tendril Tales ***) Hope Sandoval's voice is breathy and quiet, full of introspective calm and detached cool, but tinged with mystery.And it's more than just a catchy title, the singing/guitar-slinging siblings say in near-unison - "It's how the band's been feeling lately." When the duo blasted out of East Kilbride, Scotland, ten years ago with a controversial name and a droning slice of white-noise feedback dubbed Psychocandy, critics were stunned.Many were quick to praise the debut for its shock value alone.I was told by the person at the ticket counter not to take any pictures, and the signs on the wall said the same (see above), but I didn’t really see any security going nuts.Maybe that’s because nobody was really breaking the rule.O'Ciosoig deploys a wide range of guitars as anchors: a gentle slide here, acoustic fingerpicking there; sometimes gauzy, reverb-drenched feedback, sometimes shimmery, psychedelic swirls.